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      <image:caption>Baden Pailthorpe, MQ-9 Reaper, 2014, single-channel video, colour, sound, X:XX minutes. Image courtesy the artist and Martin Browne Gallery, Sydney © the artist.</image:caption>
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      <image:caption>Left to right: Philjames, XXX, XXX, XXX, oil on board</image:caption>
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  <url>
    <loc>http://www.peterhjohnson.com/home-2</loc>
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    <priority>1.0</priority>
    <lastmod>2016-03-16</lastmod>
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  <url>
    <loc>http://www.peterhjohnson.com/instagram</loc>
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    <lastmod>2022-07-12</lastmod>
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  <url>
    <loc>http://www.peterhjohnson.com/projects-1</loc>
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    <lastmod>2025-02-04</lastmod>
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      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.peterhjohnson.com/the-futures-knot-2014</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-05-15</lastmod>
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      <image:title>The Future's Knot, 2014 - Baden Pailthorpe</image:title>
      <image:caption>MQ-9 Reaper I, 2014, high-definition 3D animation (1920 x 1080), colour, sound, 4:39 minutes, ed. 5 + 2AP.</image:caption>
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      <image:title>The Future's Knot, 2014 - Philjames</image:title>
      <image:caption>left to right: Algebra and Fire, 2014, oil on vintage offset lithograph; Caravan, 2014, oil on vintage offset lithograph; Dream of Electric Sheep, 2014, oil on vintage hand coloured photograph.</image:caption>
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    <image:image>
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      <image:title>The Future's Knot, 2014 - Marian Tubbs</image:title>
      <image:caption>left to right: stale to me, 2014; typical quasi coy, 2014; another world, 2014; all works digital print on silk.</image:caption>
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    <image:image>
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      <image:title>The Future's Knot, 2014 - The Future's Knot</image:title>
      <image:caption>Installation view, The Lock-Up, Newcastle, 2014.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458049382586-PI66I2XPI18ZT6Z1TM8C/FK_Install_13.jpg</image:loc>
      <image:title>The Future's Knot, 2014 - Benjamin Forster</image:title>
      <image:caption>fxxbxxk (after Dockray), 2014, an lcd screen, a computer, a network, a rock found in a cemetary, Facebook, an old jail cell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458049346947-FIQE57PSTR4JMEYZXMX5/FK_Install_7.jpg</image:loc>
      <image:title>The Future's Knot, 2014 - Kylie Banyard</image:title>
      <image:caption>left to right: Domescope Four1, 2014; Domescope Four2, 2014; both works C-type print.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458049360210-9TCQLVRJUSZMM1L67YRL/FK_Install_10.jpg</image:loc>
      <image:title>The Future's Knot, 2014 - Vicky Browne &amp; Darren Seltmann</image:title>
      <image:caption>Entering the Cloud, 2014, mixed media.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458049399539-L9FSYIJ97UP6KXX3NJU9/FK_Install_15.jpg</image:loc>
      <image:title>The Future's Knot, 2014 - Pia van Gelder</image:title>
      <image:caption>You or Me?, 2011, closed-circuit video set-up: two CCTV cameras, RCA splitter, LCD monitor.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Future's Knot, 2014 - The Future's Knot</image:title>
      <image:caption>Installation view, The Lock-Up, Newcastle, 2014.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458049371784-RIZRDTBYJF6GV4OZS0GQ/FK_Install_12.jpg</image:loc>
      <image:title>The Future's Knot, 2014 - Josephine Skinner</image:title>
      <image:caption>The end, 2013, multi-channel HD TV instalaltion, re-used YouTube content.</image:caption>
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    <image:image>
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      <image:title>The Future's Knot, 2014 - Kylie Banyard</image:title>
      <image:caption>Domescope Haze 2, 2014, HD video, formply, 20 minutes.</image:caption>
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      <image:title>The Future's Knot, 2014 - Tristan Derátz</image:title>
      <image:caption>First Born, 2014, motion sensor, speakers, water, LED lights. Technical work by Marcus and Stephen Derátz.</image:caption>
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    <image:image>
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      <image:title>The Future's Knot, 2014 - Giselle Stanborough</image:title>
      <image:caption>Wiccan wifi, 2014, single-channel video, artist mobile phone, artist hair, glass beacon, nanocheck strips, artist toenail clippings, robotic vacuum cleaner, tape, Mickey Mouse wizard badge from artist childhood holiday to Disneyland with her now deceased father.</image:caption>
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    <image:image>
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      <image:title>The Future's Knot, 2014 - Giselle Stanborough</image:title>
      <image:caption>Wiccan wifi, 2014, single-channel video, artist mobile phone, artist hair, glass beacon, nanocheck strips, artist toenail clippings, robotic vacuum cleaner, tape, Mickey Mouse wizard badge from artist childhood holiday to Disneyland with her now deceased father.</image:caption>
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      <image:title>The Future's Knot, 2014 - Jonny Niesche</image:title>
      <image:caption>Cosmos and cosmetics, 2014, voile and steel.</image:caption>
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  <url>
    <loc>http://www.peterhjohnson.com/process-emergent-2-2011</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-16</lastmod>
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      <image:title>Process Emergent 2, 2012 - Akira Alvarez-Sharkey</image:title>
      <image:caption>Lonesome Town (still), mixed media, 2011.</image:caption>
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    <image:image>
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      <image:title>Process Emergent 2, 2012 - George Shaw</image:title>
      <image:caption>Why do you always act like it will be this way?, 2011, SD video and Giclee prints.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458048603943-X4M2U8P86TTA0VUV5M1B/diffuse02+2.jpg</image:loc>
      <image:title>Process Emergent 2, 2012 - Jesse Horner</image:title>
      <image:caption>diffuse (detail), 2011, mixed media.</image:caption>
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    <image:image>
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      <image:title>Process Emergent 2, 2012 - Lauren Ellenberger</image:title>
      <image:caption>Portrait Suspended (series), 2011, pigment and mulberry paper.</image:caption>
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    <image:image>
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      <image:title>Process Emergent 2, 2012 - Luke Turner</image:title>
      <image:caption>How To Make a Photocopy Transfer (still), 2011, photocopy transfer, stop motion, projection.</image:caption>
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      <image:title>Process Emergent 2, 2012 - Mee-Sum Kim Park</image:title>
      <image:caption>Around The Corner, 2011, porcelain, black stain, ceramic ink.</image:caption>
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  </url>
  <url>
    <loc>http://www.peterhjohnson.com/the-fraud-complex-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-31</lastmod>
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      <image:title>The Fraud Complex, 2016</image:title>
      <image:caption>Hany Armanious, Body Swap, 2015. Image courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist. Photographer: Peter Morgan.</image:caption>
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  </url>
  <url>
    <loc>http://www.peterhjohnson.com/what-we-watch-2012</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-16</lastmod>
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      <image:title>What We Watch, 2012 - Ai WeiWei</image:title>
      <image:caption>WeiweiCam, 2012.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458047711668-UL8U3VC44VYQFVXUVJ5U/Giselle+stanborough-interknot-9-online-video-still-2009.jpeg</image:loc>
      <image:title>What We Watch, 2012 - Giselle Stanborough</image:title>
      <image:caption>Interknot 1-9, 2009.</image:caption>
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    <image:image>
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      <image:title>What We Watch, 2012 - Tim Gregory</image:title>
      <image:caption>I Love You, 2012.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458047717733-M70T299T3P4PFYHPQJA4/Andrew+normal+wilson.png</image:loc>
      <image:title>What We Watch, 2012 - Andrew Norman Wilson</image:title>
      <image:caption>Workers Leaving the Googleplex, 2011.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1458047717161-EYEAMN9A84LGXX33DZJ0/cyriak.png</image:loc>
      <image:title>What We Watch, 2012 - Cyriak</image:title>
      <image:caption>Because, 2012.</image:caption>
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  <url>
    <loc>http://www.peterhjohnson.com/writing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-10</lastmod>
  </url>
  <url>
    <loc>http://www.peterhjohnson.com/james-little-big-in-japan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-06-22</lastmod>
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      <image:title>James Little: Big in Japan</image:title>
    </image:image>
    <image:image>
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      <image:title>James Little: Big in Japan</image:title>
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  </url>
  <url>
    <loc>http://www.peterhjohnson.com/in-character-2019</loc>
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    <lastmod>2019-10-14</lastmod>
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      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
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      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
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      <image:title>In Character, 2019</image:title>
      <image:caption>EO Gill, Character Portraits, 2018-ongoing, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
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      <image:title>In Character, 2019</image:title>
      <image:caption>WITCH BITCH, Statuesque Anarchy, 2017, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041116510-5MKI5WOAWHD0O3SXYAU3/VergeInCharacterSept2019-0002.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041186323-ZS855H5X8ZOCQSFQPIPV/VergeInCharacterSept2019-0013.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041095974-CG2RNFPRSHBGKPTT575V/VergeInCharacterSept2019-0007.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041151582-AO16VNYD2F0SRXMH9EJV/VergeInCharacterSept2019-0011.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>Paola Balla, Mok Mok Cooking Show, 2016, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041205058-DY5I252UMWXGXDHCCJEN/VergeInCharacterSept2019-0014.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>Liam O’Brien, Empty Avenues, 2018, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041229255-KWI5KZG7PX0HABW9WC04/VergeInCharacterSept2019-0015.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>Liam O’Brien, Empty Avenues, 2018, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041239200-BVKJTA0CMSHJDRC26DFG/VergeInCharacterSept2019-0017.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>In Character, installation view, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e7e059c2ea5108b73d4331/1571041262048-1UTA6YD08GBWAO9TVIBT/VergeInCharacterSept2019-0018.jpg</image:loc>
      <image:title>In Character, 2019</image:title>
      <image:caption>Ali Baker, sovereignGODDESSnotdomestic, 2017, installation view, In Character, Verge Gallery, Sydney, 2019, photograph: Zan Wimberley</image:caption>
    </image:image>
  </url>
</urlset>

